On Demand
New Sounds
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Cherchez la femme
Contrary to the origins of the phrase, this New Sounds program showcases works celebrating the female voice. Hear music that spans centuries and crosses cultures, including creations from Lisa Gerrard, Mediaeval Baebes, and Muriel Louveau. Also, Canadian vocalist and composer Laurel MacDonald contributes richly-textured music featuring eclectic instrumentation and soundscapes concocted by producer and sound designer Philip Strong. And the co-founders of Elysian Fields Jennifer Charles & Oren Bloedow team up for renditions of Sephardic and Ladino songs.
PROGRAM #2682, Crossing Cultures & Centuries (First aired on Thursday, 5/24/07)
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ARTIST(S) |
RECORDING |
CUT(S) |
SOURCE |
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Muriel Louveau |
Private CD |
Lutanist [sic] song [4:30] |
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Lisa Gerrard & Patrick Cassidy |
Immortal Memory |
Marantha [3:30] |
4AD #2403
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Kitka |
Wintersongs |
Byla Cesta [3:00] |
Diaphonica #2004
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Oren Bloedow & Jennifer Charles |
La Mar Enfortuna |
Quinze Años [3:30] |
Tzadik #7146
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Haale |
Morning |
Aabeh Hayat [4:30] |
Dunya #2007
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Mediaeval Baebes |
Worldes Blysse |
Love Me Broughte [3:00] |
Nettwerk America #39914
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Laurel MacDonald |
Luscinia's Lullaby |
Nenia Sirenes [5:00] |
Improbable Music #04 |
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Lisa Gerrard |
The Mirror Pool |
Celon [6:00] |
4AD #5009 www.4ad.com* |
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Jocelyn Montgomery with David Lynch |
Lux Vivens |
Lux Vivens [6:30] |
Mammoth Records #354 980-183**, |
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Two masterworks of 20th century choral music by Part and Feldman. 7PM on Tues. Nov. 18, at the World Financial Center's Winter Garden.
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The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.
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Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.
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