wnyc.org / 93.9fm / am 820


New Sounds

Wednesday, July 23, 2008
  • Terry Riley
    Terry Riley

    Bang on a Can Marathon 2008

    Hear excerpts from new music's biggest annual event - the 2008 edition of the annual Bang On A Can Marathon, recorded live at the World Financial Center on this edition of New Sounds. There's music from Alarm Will Sound tackling the Beatles' Revolution #9, and perhaps a bit of post-rock pulsetronica from Dan Deacon. Plus, the Crash Ensemble performs Terry Riley's recent work "Loops for Ancient Giant Hairy Nude Warriors Racing Down the Slopes of Battle" complete with electric guitar and ass-whooping distortion. And much more.

PROGRAM # 2826, from the 2008 Bang on a Can Marathon, Pt. 1 (First aired on Wed.. 7-23-08)

ARTIST(S)

RECORDING

CUT(S)

SOURCE

Alarm Will Sound

Bang on a Can Marathon, May 31-June 1, 2008, World Financial Center

Beatles: Revolution #9, excerpt [2:00]
John Adams: Son of Chamber Symphony Mvt. III [7:00]

Not commercially available. See www.alarmwillsound.com OR www.myspace.com/alarmwillsound for info.

Contact

Allison Cameron: 3rds, 4ths and 5ths [6:30]

Not commercially available. See www.contactcontemporarymusic.ca OR www.myspace.com/contacttheband for info.

Crash Ensemble

Terry Riley: Loops for ancient Giant Nude Hairy Warriors Racing Down the Slopes of Battle [4:00] Arnold Dreyblatt: Resonant Relations, excerpts [9:00]

www.crashensemble.com OR www.myspace.com/crashensemble

Hartt Bass Band

Julia Wolfe: Strong Hold, excerpt [8:00]

Not commercially available. Info at www.bangonacan.org

Dan Deacon

Ultimate Reality, Pt. 3 [9:00]

Not commercially available. See www.myspace.com/dandeacon for more info.

Leave a Comment

Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. WNYC reserves the right to edit any comments posted on this site. Please read the WNYC.org Comment Guidelines before posting.

Your comment


* required
The information entered into this form will not be used to send unsolicited email and will not be sold to a third party.
 

Twitchy Renaissance-Infused Minimalism

New Sounds

From the New Sounds Live concerts at Merkin Hall, Nico Muhly presents a series of new electroacoustic ensemble works, combining “twitchy Minimalism” and Renaissance polyphony. Hear brand-new works from "Mothertongue," along with other works, recorded live.

In Robert Moran's Kitchen

New Sounds

From October 30, 1989, the infamous "cooking show" with composer/raconteur Robert Moran. Recorded while cooking an Indian dinner in John Schaefer's kitchen, for reasons still not entirely clear. Along the way, we hear an "acoustic" version of Cage's 0:00 - for amplification of chopping vegetables and blender. And don't miss the teary conversation as onions are chopped. View the the recipes.

Michael Hedges and Michael Manring

New Sounds

The incredibly gifted and astonishingly original guitarist Michael Hedges left the planet much too soon in 1997. Avant-folk and ever-entertaining, Hedges made brilliant music with alternate tunings, harmonics and was known for striking the guitar’s body and strings with his fingers, palms and knuckles. His close friend and sometime collaborator, electric bass virtuoso Michael Manring, was a genre-bender, before music writers ever discovered that hyphenated term. He started out in the New Age bins, but moved all over with various projects, including the very first New Age-death-metal-jazz-funk-fusion record, among other things, with his “hyperbass”, (a fretless instrument which makes re-tuning mid-piece a little easier). On this October 10, 1987 edition of New Sounds, the two artists visited and played at the WNYC performance studios.

Caravan Variations

New Sounds

Like camels slogging through the sand, the exotic strains of “Caravan,” by Duke Ellington and his sometime trombonist Juan Tizol (with rarely heard lyrics by Irving Mills), have been played loose, fast, swinging, and/or slow by just about everyone. For this New Sounds program, it’s another of the occasional series of programs of Theme and Variations, where the premise is simple: take a single piece of music and explore what a number of musicians have done with it, through arrangements, deconstructions, and revisions of the original theme. This time around, it’s Duke Ellington’s “Caravan.” Listen to arrangements by Romania’s Fanfare Ciocarlia, Hungary’s Kalman Balogh & The Gipsy Cimbalom Band, the California Guitar Trio, the ska group Hepcat, banjoman Bela Fleck, Lebanese composer Rabih Abou-Khalil, and trumpeter/composer Jon Hassell, among others.